平心而论，相较于诺伍德的遭遇，中文互联网的AI虚拟人短剧与视频几乎未遇阻力便成功“登台”，部分甚至获得平台补贴。但二者区别显而易见：诺伍德自诞生即被塑造为具有独立人格的演员，而AI短剧中的“演员”仅是推进剧情的工具。
As this landscape evolves, what we’ve accumulated over the years may be an opportunity or an advantage—but it’s also a challenge. Under the overarching trend of the energy transition, we want to rely on our new products and technologies to keep moving forward—staying in step with, and even leading, energy-tech development in the parts of the market changing the fastest. I think that is the biggest challenge we face right now.
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